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	<title>Luxury &#8211; Fragments of Beauty</title>
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	<title>Luxury &#8211; Fragments of Beauty</title>
	<link>https://frammenti.stefanseifert.com</link>
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	<item>
		<title>What is it that makes letters elegant?</title>
		<link>https://frammenti.stefanseifert.com/2019/07/what-is-it-that-makes-letters-elegant/</link>
					<comments>https://frammenti.stefanseifert.com/2019/07/what-is-it-that-makes-letters-elegant/#respond</comments>
		
		<dc:creator><![CDATA[elementi]]></dc:creator>
		<pubDate>Tue, 16 Jul 2019 14:46:45 +0000</pubDate>
				<category><![CDATA[Design Process]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Typeface Design]]></category>
		<category><![CDATA[Beauty]]></category>
		<category><![CDATA[Elegance]]></category>
		<category><![CDATA[Femininity]]></category>
		<category><![CDATA[Luxury]]></category>
		<category><![CDATA[Scent]]></category>
		<category><![CDATA[Structure]]></category>
		<category><![CDATA[Woman]]></category>
		<category><![CDATA[Youth]]></category>
		<guid isPermaLink="false">http://www.seifertfragments.de/?p=2791</guid>

					<description><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process.jpg" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" fetchpriority="high" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process.jpg 5119w, https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process-768x416.jpg 768w" sizes="(max-width: 5119px) 100vw, 5119px" /></p><span class="initial"><span class="cap">I</span></span> always tried to achieve a certain elegance in my typeface creations. Which is an elegance to be confronted with youth, the female body, but at the same time a certain classicism. And yes, letters and alphabets suitable for luxury products. Things that are resembled in this photography. 

What do we see here? Sunlight. Wine. A beautiful young woman. The clearly visible structure of her legs’ bones. Difficult, ambiguous areas as in the zones around her knees. Where we see parts of bones that seem to fight for prominence. Subtle parts of her skin where the sunlight flows between her skin’s hair. But, as well, a certain hint at luxury, <a href="https://frammenti.stefanseifert.com/typeface/signer/">#allure</a>, warmth and elegant Renaissance architecture in her background.

We may think of <span class="author">Chanel</span>’s logotype. The simplicity of those lines. Instinctively we search for products on this table to be marked with its appearance. We might as well imagine the scent of this young lady. 

‘<em>G</em>’ and ‘<em>A</em>’ from <em>Advanced</em> typeface in the process of growth. What I like about this character, as an example, are the well pronounced horizontal lines. Which is a one of the tricks to add elegance to a sans serif font. And, even though it is much easier to balance a letter’s structure with elements that add stability (as it is the vertical foot line in <em>Helvetica</em>’s ‘<em>G</em>’, for an example), I tried to renounce them.

Upper parts of this ‘<em>G</em>’ are still way before being perfect. It might take further months or years to elaborate this character’s lines. Just as long as I am inspired by images of beauty combined with personal dreams, personal artistic views on a world which is (we know that by reason) non existent. But, which we still admire and reach out to express.]]></description>
										<content:encoded><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process.jpg" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process.jpg 5119w, https://frammenti.stefanseifert.com/wp-content/uploads/2019/07/GA-Advanced-process-768x416.jpg 768w" sizes="(max-width: 5119px) 100vw, 5119px" /></p><span class="initial"><span class="cap">I</span></span> always tried to achieve a certain elegance in my typeface creations. Which is an elegance to be confronted with youth, the female body, but at the same time a certain classicism. And yes, letters and alphabets suitable for luxury products. Things that are resembled in this photography. 

What do we see here? Sunlight. Wine. A beautiful young woman. The clearly visible structure of her legs’ bones. Difficult, ambiguous areas as in the zones around her knees. Where we see parts of bones that seem to fight for prominence. Subtle parts of her skin where the sunlight flows between her skin’s hair. But, as well, a certain hint at luxury, <a href="https://frammenti.stefanseifert.com/typeface/signer/">#allure</a>, warmth and elegant Renaissance architecture in her background.

We may think of <span class="author">Chanel</span>’s logotype. The simplicity of those lines. Instinctively we search for products on this table to be marked with its appearance. We might as well imagine the scent of this young lady. 

‘<em>G</em>’ and ‘<em>A</em>’ from <em>Advanced</em> typeface in the process of growth. What I like about this character, as an example, are the well pronounced horizontal lines. Which is a one of the tricks to add elegance to a sans serif font. And, even though it is much easier to balance a letter’s structure with elements that add stability (as it is the vertical foot line in <em>Helvetica</em>’s ‘<em>G</em>’, for an example), I tried to renounce them.

Upper parts of this ‘<em>G</em>’ are still way before being perfect. It might take further months or years to elaborate this character’s lines. Just as long as I am inspired by images of beauty combined with personal dreams, personal artistic views on a world which is (we know that by reason) non existent. But, which we still admire and reach out to express.]]></content:encoded>
					
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			</item>
		<item>
		<title>Another Mirroring</title>
		<link>https://frammenti.stefanseifert.com/2018/02/another-mirroring/</link>
					<comments>https://frammenti.stefanseifert.com/2018/02/another-mirroring/#respond</comments>
		
		<dc:creator><![CDATA[elementi]]></dc:creator>
		<pubDate>Mon, 19 Feb 2018 06:58:42 +0000</pubDate>
				<category><![CDATA[Design Process]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Typeface Design]]></category>
		<category><![CDATA[Dior]]></category>
		<category><![CDATA[Elegance]]></category>
		<category><![CDATA[Flow]]></category>
		<category><![CDATA[Luxury]]></category>
		<category><![CDATA[Mirror]]></category>
		<category><![CDATA[Perfume]]></category>
		<category><![CDATA[Reflection]]></category>
		<guid isPermaLink="false">http://www.seifertfragments.de/?p=2417</guid>

					<description><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection.png" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection.png 1436w, https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection-768x466.png 768w" sizes="(max-width: 1436px) 100vw, 1436px" /></p><span class="initial"><span class="cap">A</span>nother</span> view of <span class="author">Natalia</span> in <span class="author">Dior</span> masterly captured by <span class="author">Peter Lindbergh</span> side by side with the minor letter ‘<em>r</em>’ during design process of <em>Reflection Italic</em> character which later evolved into <em>Reflection Ecriture</em>.

The base of the stroke separation in the glyphs like ‘<em>n</em>’, ‘<em>m</em>’, ‘<em>h</em>’ and ‘<em>r</em>’ was pushed down to the bottom almost a little beyond <em>baseline</em> to enhance the flow of the letters and add more of a handwritten character to it. I also experimented with more evidenced calligraphic turning points obtained by inserted interim curves or straight lines into its curves.

<em>Reflection Ecriture</em> is conceived as an exclusive font for perfume design and should reflect the classic luxurious elegance of <span class="author">Christian Dior</span> fashion griffe.

You may also view it on <a href="https://www.instagram.com/p/BfTj217lUMY/?taken-by=stefanseiferttypefaces" target="_blank" title="Natalia Vodianova and Reflection ‘r’" rel="noopener noreferrer">Instagram</a> and comment on it if you like.

<strong>Credits:</strong>
<span class="author">Peter Lindbergh</span> | Photography
<span class="author">Natalia Vodianova</span> | Model]]></description>
										<content:encoded><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection.png" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection.png 1436w, https://frammenti.stefanseifert.com/wp-content/uploads/2018/02/Natalia-r-Reflection-768x466.png 768w" sizes="(max-width: 1436px) 100vw, 1436px" /></p><span class="initial"><span class="cap">A</span>nother</span> view of <span class="author">Natalia</span> in <span class="author">Dior</span> masterly captured by <span class="author">Peter Lindbergh</span> side by side with the minor letter ‘<em>r</em>’ during design process of <em>Reflection Italic</em> character which later evolved into <em>Reflection Ecriture</em>.

The base of the stroke separation in the glyphs like ‘<em>n</em>’, ‘<em>m</em>’, ‘<em>h</em>’ and ‘<em>r</em>’ was pushed down to the bottom almost a little beyond <em>baseline</em> to enhance the flow of the letters and add more of a handwritten character to it. I also experimented with more evidenced calligraphic turning points obtained by inserted interim curves or straight lines into its curves.

<em>Reflection Ecriture</em> is conceived as an exclusive font for perfume design and should reflect the classic luxurious elegance of <span class="author">Christian Dior</span> fashion griffe.

You may also view it on <a href="https://www.instagram.com/p/BfTj217lUMY/?taken-by=stefanseiferttypefaces" target="_blank" title="Natalia Vodianova and Reflection ‘r’" rel="noopener noreferrer">Instagram</a> and comment on it if you like.

<strong>Credits:</strong>
<span class="author">Peter Lindbergh</span> | Photography
<span class="author">Natalia Vodianova</span> | Model]]></content:encoded>
					
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