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	<title>Girl &#8211; Fragments of Beauty</title>
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	<link>https://frammenti.stefanseifert.com</link>
	<description>Typeface Works and Essays</description>
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	<title>Girl &#8211; Fragments of Beauty</title>
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		<title>Le Caviglie</title>
		<link>https://frammenti.stefanseifert.com/essay/le-caviglie/</link>
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		<dc:creator><![CDATA[elementi]]></dc:creator>
		<pubDate>Thu, 24 Aug 2017 05:36:30 +0000</pubDate>
				<category><![CDATA[Ankle]]></category>
		<category><![CDATA[Bending]]></category>
		<category><![CDATA[Girl]]></category>
		<guid isPermaLink="false">http://www.seifertfragments.de/?post_type=nor-essays&#038;p=2242</guid>

					<description><![CDATA[Benché sapevo bene che cosa si nascondeva dietro la tremenda paura di dover dir addio...]]></description>
										<content:encoded><![CDATA[<blockquote><p>Benché sapevo bene che cosa si nascondeva dietro la tremenda paura di dover dir addio a quelle fanciulle, trangugiando mele; di dover lasciare andare il godimento a veder i loro passi slanciati e i lor visi assolati: altro non che la paura d’invecchiare e con ciò la figura inevitabile che c’aspetta alla fine e in cui faccia con tanta disinvoltura piegavano le loro caviglie, la morte.*</p></blockquote>
<hr />
<p>&nbsp;</p>
<p>* ‘[der Tod] <em>dessen Angesicht gegenüber sich ihre Knöchel so gleichgültig bogen</em>’</p>
]]></content:encoded>
					
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		<title>Balenciaga</title>
		<link>https://frammenti.stefanseifert.com/typeface/balenciaga/</link>
					<comments>https://frammenti.stefanseifert.com/typeface/balenciaga/#respond</comments>
		
		<dc:creator><![CDATA[elementi]]></dc:creator>
		<pubDate>Mon, 23 Nov 2015 15:21:43 +0000</pubDate>
				<category><![CDATA[Balenciaga]]></category>
		<category><![CDATA[Girl]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[Woman]]></category>
		<guid isPermaLink="false">https://northeme.com/demo/secret-new-mad/?post_type=nor-portfolio&#038;p=43</guid>

					<description><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl.png" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" fetchpriority="high" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl.png 2389w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-768x430.png 768w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-430x241.png 430w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-860x481.png 860w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-600x336.png 600w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-1800x1007.png 1800w" sizes="(max-width: 2389px) 100vw, 2389px" /></p><span class="initial"><span class="cap">S</span>ome</span> layouts and researches that I have done together with the design process of my <em>Girl</em> character. It is a quite extravagant typeface that was inspired of some of the Spanish fashion houses’ Haute Couture dresses of the fifties and sixties.

It combines the extreme contrast of stems and hairlines in its letters with a more wide but still Renaissance like shape character. It reflects a striking juxtaposition of classic design with highly modern elements.

The lowercase letters of <em>Girl</em> typeface were added only many years later. Other fashion griffes’ researches were done like <a title="Stefan Seifert | Bulgari Brand Research" href="https://www.stefanseifert.com/#girl-typeface" target="_blank" rel="noopener">this</a> one for example.

<strong>Credits:</strong>
<span class="author">Richard Avedon</span>, <span class="author">Paolo Roversi</span> | Photography]]></description>
										<content:encoded><![CDATA[<p><img src="https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl.png" class="attachment-md_post_thumb_large size-md_post_thumb_large wp-post-image" alt="" decoding="async" srcset="https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl.png 2389w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-768x430.png 768w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-430x241.png 430w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-860x481.png 860w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-600x336.png 600w, https://frammenti.stefanseifert.com/wp-content/uploads/2015/11/Girl-1800x1007.png 1800w" sizes="(max-width: 2389px) 100vw, 2389px" /></p><span class="initial"><span class="cap">S</span>ome</span> layouts and researches that I have done together with the design process of my <em>Girl</em> character. It is a quite extravagant typeface that was inspired of some of the Spanish fashion houses’ Haute Couture dresses of the fifties and sixties.

It combines the extreme contrast of stems and hairlines in its letters with a more wide but still Renaissance like shape character. It reflects a striking juxtaposition of classic design with highly modern elements.

The lowercase letters of <em>Girl</em> typeface were added only many years later. Other fashion griffes’ researches were done like <a title="Stefan Seifert | Bulgari Brand Research" href="https://www.stefanseifert.com/#girl-typeface" target="_blank" rel="noopener">this</a> one for example.

<strong>Credits:</strong>
<span class="author">Richard Avedon</span>, <span class="author">Paolo Roversi</span> | Photography]]></content:encoded>
					
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